Samstag Launches 2025 With Communication Chaos Exhibit

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Chunxiao Qu, An artist doesn't need a label (Biannual Façade Commission), 2004, Borchardt Library, La Trobe University, Bundoora. La Trobe Art Institute, La Trobe University. Photograph by AJ Taylor. Image courtesy the artist.

The absurdity of contemporary communication will be on display at the University of South Australia's Samstag Museum of Art, delivering an insightful and humorous take on how humans are easily misunderstood between the translation of what is said and what is heard.

Direct, Directed, Directly will kickstart Samstag's 2025 program for the Parnati season (Parnati meaning autumn in Kaurna culture) from Friday 28 February, coinciding with the launch of the Adelaide Festival.

Installed across the two levels of the art museum, the exhibition is one of many in Samstag's annually curated program of innovative and experimental contemporary art from SA and around the world.

Direct, Directed, Directly explores communication - speaking directly, speaking indirectly, looking for meaning (and not finding it), double meanings and breakdowns.

Featuring performances, moving images and sounds created by national and international artists, the installation dives into the difficulties between what is said and what is heard. This group exhibition suggests that amid frustration, futility and misunderstanding, there is catharsis to be found in the humour and absurdity of our attempts to connect.

Director of Samstag Museum of Art Erica Green says the year ahead for Samstag will be a celebration of innovative and thought-provoking contemporary arts practice.

"Delving into a diverse range of themes - from the absurdity of contemporary communication to the formal qualities of light and movement - our 2025 program will deliver a year of surprising and insightful visual art experiences for everyone to enjoy," she says.

Parnati season

Friday 28 February to Friday 30 May

2025 Adelaide Festival

Direct, Directed, Directly

Artists: Richard Bell (Kamilaroi, Kooma, Jiman and Gurang Gurang), Madison Bycroft, Kuba Dorabialski, Danielle Freakley, Christine Sun Kim and Thomas Mader, Monte Masi and Chunxiao Qu.

Kudlila season

20 June to 26 September

Frank Bauer

Samstag's Kudlila Season, Kudlila meaning winter in Kaurna culture, will begin in June with works by Adelaide-based designer, jeweller, silversmith and artist Frank Bauer. Over a career spanning 45 years, the German-born artist's cross-disciplinary practice is hallmarked by exceptional quality and a breadth of skill. His process begins with the hand - first drawing then progressing to handling, touching, making in his workshop - and results in works that bear human nature first and foremost in mind. A former lecturer at SACAE, an antecedent of the University of South Australia, who has exhibited in Europe and Australia, his work is held in major museums around the world.

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Caption Frank Bauer, Flag pole, detail, 2024. Photograph by Sia Duff.

North Terrace: worlds in relief

Artists: Andrew Burrell, Allison Chhorn, Louise Haselton, the ArcHitects (Gary Carsley and Renjie Teoh), with poetry by Natalie Harkin (Narungga).

As the city's cultural boulevard, North Terrace is emblematic of Tarntanya/Adelaide's founding on Kaurna Yarta and the conduct of colonial relations today. In this suite of new works, curated by guest curator Jasmin Stephens, artists from Adelaide, NSW and Singapore respond to the city's environs and the world views that they convey. The exhibition begins with Narungga poet/activist Natalie Harkin's text Cultural Precinct, first published in 2016. The artists cast a critical eye over North Terrace's familiar and lesser-known aspects. Invoking histories of sculpture, moving image and design, the exhibition draws on the collection of UniSA's Architecture Museum.

Wirltuti Season

16 October to 5 December

Sean Cordeiro and Claire Healy: Psychopomp

NSW-based artistic duo and Samstag scholars (2006) Sean Cordeiro and Claire Healy will premiere their vibrant moving image work Psychopomp alongside a selection of past works for Samstag's Wirltuti season in 2025 (Wirltuti meaning 'spring' in Kaurna culture). Psychopomp is the outcome of the 2024 UniSA Jeffrey Smart Commission. This vibrant moving image work explores the porous relationship between science and mysticism, and rocket technology and spirituality. From NASA's Apollo, Mercury and Gemini mission names, which are directly inspired by the gods of antiquity, to pioneer rocket scientist Jack Parson's conversion to Aleister Crowley's Church of Thelema, Cordeiro and Healy identify a strong spiritual thread in the history of rocket and space exploration. Melding the significant historical text, the poem Hymn to Pan, with footage of farming fertility festivals in Thailand and Laos, Psychopomp explores the expressive potential of motion, technology and pagan rituals.

5 STEPS FOR BETTER LIVING, MAXIMUM GAINS AND MANIFESTING YOUR MOST OPTIMISED SELF!!

Adelaide Film Festival Expand Moving Image Commission

Artists: Nisa East, Anna Lindner and Yasemin Sabuncu.

5 STEPS... originates from the 2023 AFF EXPAND Lab, a development initiative bringing together filmmakers, artists and screen-based practitioners to develop collaborative approaches to making moving images. 5 STEPS... offers a satirical, critical reflection on the trends of commodified, masculine 'wellness' in times of existential crisis. The multi-channel installation draws on experimental performance, surrealism and dark humour to examine the way wellness subcultures can be used to promote self-centred ideas of freedom and success. A series of compelling character studies of the 'alpha' personalities and fitness evangelists that populate the manosphere, this work examines the psychological mechanisms of rejecting failure, vulnerability and introspection, and the pursuit of infinite growth at any cost.

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Nisa East, Anna Lindner and Yasemin Sabuncu, 5 STEPS FOR BETTER LIVING, MAXIMUM GAINS AND MANIFESTING YOUR MOST OPTIMISED SELF!!, production still 2024. Still courtesy the artists.

Ryan Presley

In 2024, UniSA commissioned Marri Ngarr artist Ryan Presley to paint a portrait of its Chancellor, The Honourable John Hill. To accompany the unveiling of this commission, Samstag will display a selection of works by Presley. Presley's figurative paintings weave personal and cultural motifs with art historical references. Raised a Catholic, his art practice explores religious iconography, often featuring intricate patterning and human figures set against seductive and lyrical dreamscapes composed of clouds, sand dunes and industrial motifs.

Samstag Museum of Art is located at UniSA's City West campus, an easy 15-minute walk from the city centre. Free city trams operate daily. Samstag is open Tuesday to Saturday 10am to 5pm. Visit the website for more information.

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